The BBC R&D Dept's Head of Operations Jon Page gives us an insight in to the future of broadcast technology at the BBC.
Julie tells us about her 30-year career working on news stories around the world as a Camerawoman for the BBC.
Louise's portrait photography has appeared in many prestigeous publications. She tells us about her career.
Photographer Simon Stock gives us a behind-the-scenes look at how he created the largest ever image used to advertise a motoring brand, featuring the Bentley Mulsanne.
For the past 6 years, Hope Hall has been the Principal Presidential Videographer to President Obama. Hope tells us about her work.
BBC Click Reporter and Producer Kathleen Hawkins tells us about her career and how she found ways to work with her disability.
Nicholas tells us about his commercial photography and cinemagraph business that specialises in shooting London's streets.
For the sports-loving photographer who also supports Arsenal, Stuart MacFarlane has a dream job, Chief Photographer for Arsenal FC. Stuart tells us about his work.
Megan Stacey is an emerging cinematographer with a wealth of work in her showreel already. We ask Megan about what it takes to make it as a cinematographer.
Dan James is a broadcast editor who puts together films for high-profile tv programmes like the BBC's Top Gear. Dan tells us about his work.
Joe is celebrating 10 years as a professional motorcycle photographer. In our interview he tells us all about his career and work at Motorcycle News as their staff photographer.
We talk to award-winning documentary filmmaker Liz Allen about her work and the world of documentary filmmaking.
Surfing photographer Ryan Cardone tells us about his stock photography and how he uses his iPhone to shoot stock for the Stockimo collection at Alamy.
Jane Hilton is an established photographer and filmmaker with a huge critically-acclaimed body of work. Jane tells us about her work and motivation.
Phil started a major sports photo agency, Empics, from scratch. In this interview he tells us about his career as a photographer and business owner.
We interview Steve Etherington, an F1 photographer working with the Mercedes AMG Petronas team who tells us what it's like photographing fast cars and famous drivers.
Keith Morris is a Welsh photographer who rarely travels outside his home county and yet has found a successful niche for his images.
Mohamad is a specialist photographer who shoots images specifically to suit the book cover market. He tells us all about it in our interview.
We talk to Zoe Whishaw about her role as a mentor and commercial photography consultant.
Paul Hough tells us about a unique scheme in the East Midlands placing new graduates in to art organisations where they offer their skills to help on new projects.
We talk to the very successful UK commercial photographer Dazeley about his journey to the top, his photography projects and the future of work in the visual media industry.
We talk to Jason about his almost 25 year high-flying career specialising in aerial photography.
Gail has worked on major tv and film productions both above and below the water. She tells us about her career.
Bill Bennett works as a Cinematographer with major clients like Apple and Audi. We talk to Bill about his career.
When your films achieve over 13 million views and you get a Vimeo staff pick, you're on the filmmaking map. Danny tells us about his work.
Antonio Olmos, the award-winning photographer tells us about his work as a photojournalist and his thoughts on the future of photography as a career.
Greg Whitmore has worked on the Observer picture desk for 24 years. Here he tells us about the challenges and changing nature of the job.
Simon Stock is a car photographer with a client list that reads like a who's who of motoring manufacturers. Simon tells us about his career.
Editor Gem Atkinson tells us about her career and experiences working in the high-pressure world of the Bloomberg picture desk.
From our series of articles about photographers' agent Burnham Niker, we talk to the Alex Wilshire, who has recently been promoted to joint Director. Alex tellsus about her career to date.
In the final article from our series looking at Burnham Niker, owner Katy Niker gives us an insight in to the photographers' agent.
Continuing our series of articles about photographers' agent Burnham Niker, we talk to owner and director Katy Niker.
Chris Harper is Chief Executive of one of the UK's largest organisations representing professional photographers. Chris tells us about the BIPP.
Sarah Lee shoots portraits for The Guardian newspaper and also works with clients like the band Coldplay. Sarah gives us an insight in to her work and career.
Exciting photography careers aren't just about being a photographer. Jill Cotton, PR Director of the World Photography Organisation, tells us about her work.
Director Eleanor Mannion gives us a BTS look at the ground-breaking documentary The Collectors, filmed in 4K on an iPhone.
Trainer Marc Blank-Settle tells us about how the BBC are using mobile journalism to report the news.
Derek tells us about his career and working as an Associate Picture Editor at the Daily Mirror.
Creative Retouching is one of the least talked about skills in visual media. We interview Tony Swinney who has worked on some very high-profile imagery.
We talk to Patrick about a career photographing cars, bikes and people in the motorsport World.
Retouching the World's largest automotive image, at 53 gigapixels, was always going to be a challenge. Retoucher Tony Swinney tells us about it.
We talk to European Wildlife Photographer of Year 2015 and Nikon Ambassador Richard Peters about turning pro and making a living as a photographer.
We talk to Alan Capel, head of content at Alamy stock agency, about success, Stockimo and the future of the stock industry.
Clayton Bastiani is a specialist book cover photographer who produces dramatic and mysterious imagery. He tells us about his career and inspiration.
We talk to world-renowned cycling photographer Graham about his work and life on the road.
Megan is an editor with 20 years experience working on high profile movies like Eye in the Sky. In our interview Megan tells us what it takes to be an editor.
We talk to Anna about starting and running a model agency in Nottingham and the importance of a USP to a startup.
We interview John about his beautiful, amusing conceptual stock photography and discuss the future of the stock photography industry.
We interview specialist food photographer Louise Hagger about her work and photography career.
Rachel, a camerawoman working for the BBC, tells us about her career, why apprenticeships are a good thing and volcanoes.
Commercial photographer and filmmaker David Cantwell tells us why he decided to become a qualified drone pilot and describes his experience.
Commercial photographer and filmmaker David Cantwell tells us about his career, how he started and what he does.
BBC apprentice cameraman Sam Robinson tells us about his experience as he learns the ropes of working behind the camera.
Carly tells us how she gained experience in the media world and became a junior editor at a busy production company.
We catch up with Cheryl who tells us about her new career as a curator, artist and photography consultant.
Andy tells us about his career as a radio reporter and TV producer and working with a disability.
Nicola tells us about her factual documentary filmmaking career and her work with virtual reality.